indianartwork Archives - The Pink Journey https://thepinkjourney.in/tag/indianartwork/ news site for women Wed, 23 Feb 2022 12:17:45 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.4 https://thepinkjourney.in/wp-content/uploads/2021/12/cropped-20211228_233752_0000-2-32x32.png indianartwork Archives - The Pink Journey https://thepinkjourney.in/tag/indianartwork/ 32 32 Featuring 7 decades of Artworks on his 100th Birthday from 1940’s to 2000 by Sayed Haider Raza an Iconic Indian Artist https://thepinkjourney.in/featuring-7-decades-of-artworks-on-his-100th-birthday-from-1940s-to-2000-by-sayed-haider-raza-an-iconic-indian-artist/ https://thepinkjourney.in/featuring-7-decades-of-artworks-on-his-100th-birthday-from-1940s-to-2000-by-sayed-haider-raza-an-iconic-indian-artist/#respond ]]> Wed, 23 Feb 2022 11:04:56 +0000 https://thepinkjourney.in/?p=701 S H Raza: Seven Decades of Artistic Genius ​​The year 2022 marks the centenary of India’s seminal and groundbreaking artists S H Raza. Born on 22nd Feb 1922, S H Raza spearheaded the formation of Bombay Progressive Artists’ Group which changed the course of art in India and charted a whole new path for generations […]

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S H Raza: Seven Decades of Artistic Genius

​​The year 2022 marks the centenary of India’s seminal and groundbreaking artists S H Raza. Born on 22nd Feb 1922, S H Raza spearheaded the formation of Bombay Progressive Artists’ Group which changed the course of art in India and charted a whole new path for generations of Indian artists. Raza’s works are now a part of the most prestigious collections all over the world.

Celebrating the legacy of S H Raza on his 100th birth anniversary, the seven important works from different decades starting from the 1940s that chart his distinct artistic phases and shed a light on his evolution to becoming a great artist are described as below :

Untitled (Street Scene), 1947: S H Raza started his career with idyllic landscapes deftly executed in water-colour and depicting the Indian mainland. This was a formative phase of the artist’s career and this untitled work was executed by the master artist in the same year he co-founded the Progressive Artists’ Group.

Paysage Corse, 1958: After moving to France in 1949, Raza began to work in the styles of the École de Paris. Soon, however, colour overtook construction, and Raza’s landscapes of the French countryside became less about tangible representation and more about the mood they evoked in the artist. This work comes from the decades of the 1950s when Raza began the process of diluting tangible structure in his art. This work titled ‘Paysage Corse’ is from the year 1958 post which his works rarely involved the etching of a structure with architectural lineage.

La Provence Noire, 1965: SH Raza’s magnum opus expressionist creation from the year 1965 titled ‘La Provence Noire,’ sprawls with black. The artwork has thick strokes of black while the suggested iridescent illumination is troughed with a sporadic application of white paint. S H Raza created this work just before he commenced the search for the source of Bindu.

L’Orage (The Storm), 1973: Executed by the artist during an extremely productive phase, this work titled L’Orage (The Storm) is a brilliant example of Raza’s ability to translate the jurisprudence of energy in the purest form. The image established with dark tones resonates with a distinguished sense of velocity. The work is akin to the sensation that permeates through the atmosphere in the midst of a storm.

La Terre, 1980: This work comes from the La Terre series of works by the artist which is symbolic of Raza’s long engagement with nature. This work signifies the evolution of S H Raza’s vocabulary and is from a key transitional phase. The ‘Bindu’ emerged shortly after this work was made, and was the output of the metamorphosis that took place in tandem while the artist created these works that represents his search within.

Sanshari, 1994: This work comes from the ‘Bindu,’ series by the artist for which he is most famous. Rooted in his childhood memories, ‘Bindu’ became the central focus in Raza’s work. “Bindu is a source of energy, a source of life. Life begins here, attains infinity here,” said the artist S.H. Raza about the iconic symbol that dominated his oeuvre for the last three decades of his life.

Tree, 2000: Celebration of Nature has always been at the core of Raza’s work, be it his earlier works of vibrant landscapes or his later work incorporating geometric forms such as shown in this work. With vivid imagery with bold colour palettes outlined by geometric forms, Raza’s works transport the viewer into a deep thought far away into the throes of human melancholia.

ABOUT ARTIST
Sayed Haider Raza
 was born in 1922 in Madhya Pradesh and studied painting at the Nagpur School of Art and the Sir J.J.School of Art. A founder member of the Progressive Artists’ Group Raza participated actively in the Group’s activities, stimulated may discussions in the early struggle to develop a modernist language and presented several exhibitions of his paintings in India before leaving for France on a French Government scholarship in 1950. In Paris he studied painting at the Ecole Nationale des Beaux-Arts from 1950 to 1953. Awarded the Prix de la Critique in Paris in 1956, Raza has held numerous exhibitions both in India and abroad. He has participated in the Venice, Sao Paulo and Menton Biennales. He was awarded the Padma Shri in 1981. A strong colourist Raza’s painting resonate the passionate hot colours of India with all their symbolic, emotive value. The artist passed away in the year 2016.

Sneha Gautam, Vice PresidentClient Relations, AstaGuru Auction House.

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